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01 Ǫ¸£¸§ÀÌ Â£Àº ±íÀº »ê¼ÓÀÇ ÃÊ´ë - ÀÚ¿¬ÀÇ ¼Ò¸® I
02 ¼Ò¸£: À§¾È ¤Ó Fernando Sor: L'Encouragement, Op.34
03 ¾Ëº£´ÏÁî: ÄÚ¸£µµ¹Ù ¤Ó Isaac Albeniz: Cordoba
04 Ç: »þÄÜ´À ¤Ó Georg Friedrich Handel: Chaconne G major HV 435
05 ³ª¸£¹Ù¿¡Áî: ȲÁ¦ÀÇ ³ë·¡ ¤Ó Luys de Narvaez: Cancion del Emperador
06 ÁÙ¸®¾Æ´Ï: ½ºÆäÀÎdzÀÇ ¶óÆú¸®¾Æ¿¡ ÀÇÇÑ º¯ÁÖ ¤Ó Mauro Giuliani: Variation, Op.45 on Folia di Spagna
07 ¸¶·¼¶ó: µÎ´ëÀÇ ±âŸ¸¦ À§ÇÑ Á¶°î1¹ø ¤Ó Giovanni Battista Marella: Suite No.1 for two Guitars
08 ÆÄ°¡´Ï´Ï: ¼Ò³ªÅ¸ 32¹ø ¤Ó Niccolo Paganini: Sonata No.32
09 Á¦³ª¸ó: ¸®Ç÷º¼Ò½º 7¹ø Áß ¸ôÅä ·»Åä ¤Ó Jaime Mirtenbaum Zenamon: Reflexoes No.7 - Molto lento
10 ÇÁ·¹Å丮¿ì½º: Å׸£½ºÇÁÄÚ·¹ Áß ¹ß·¹°î ¤Ó Michael Praetorius: Three Dances from Terspichore - Ballet
11 ·Îµå¸®°í: ¾î´À ±ÍÀÎÀ» À§ÇÑ È¯»ó°î Áß ¾Æ´ÙÁö¿À ¤Ó Joaquin Rodrigo: Fantasie para un Gentilhombre - Adagio
12 ÁÙ¸®¾Æ´Ï: º¯ÁÖ°î ÀÛÇ°62 ¤Ó Mauro Giuliani: Variation, Op.62
13 ºñ¹ßµð: ÇùÁÖ°î dÀåÁ¶ Áß ¶ó¸£°í ¤Ó Antonio Lucio Vivaldi: Concerto D major, R93 - largo
14 °¥¸±·¹ÀÌ: µÎ´ëÀÇ ±âŸ¸¦ À§ÇÑ ¼±À²(´ëÀ§¹ý) ¤Ó Vincentio Galilei: Counterpoint for two Guitars
15 Æľß: ¿¡½ºÆijÄÀÇ ³ë·¡ ¤Ó Manuel de Falla: Populares espagnolas, Cancion
16 Ǫ¸£¸§ÀÌ Â£Àº ±íÀº »ê¼ÓÀÇ ÃÊ´ë - ÀÚ¿¬ÀÇ ¼Ò¸® ¥±
17 ·¹°ïµð: ±âŸ¸¦ À§ÇÑ ¾ß»ó°î ÀÛÇ°19 ¤Ó Giulio Regondi: Nocturne for guitar, Op.19
18 ºê¸®Æ°: ¾ß»ó°î Áß ¸ôÅä Æ®¶õÄþ·Î ¤Ó Benjamin Britten: Nocturnal Op.70 'after John Dowland - molto tranquillo
19 µµ¸Þ´ÏÄÚ´Ï: ¾Æ³ªÅ縮¾È ¹Î¿ä¿¡ ÀÇÇÑ º¯ÁÖ: Carlo Domeniconi: 'after an anatolian folk song' - Theme & Variation 1-5
20 ¹ÙÈå: ÀÌÅ»¸®¾Æ ÇùÁÖ°î Áß ¾È´ÜÅ× ¤Ó Johann Sebastian Bach: Italian Concerto F major, BWV 971 - Andante
21 ½ºÄ«¸¦¶óƼ: ¼Ò³ªÅ¸ b´ÜÁ¶ ¤Ó Domenico Scarlatti: Sonata in B minor, L.33
22 µð¾Æº§¸®: ¼Ò³ªÅ¸ a´ÜÁ¶ Áß ¾È´ÜÅ× ¼Ò½ºÅ×´©Åä ¤Ó Anton Diabelli: Sonata A minor - Andante sostenuto
23 µµ¸Þ´ÏÄÚ´Ï: Æ®¸±·ÎÁö Áß ¾Æ´ÙÁö¿À ¤Ó Carlo Domeniconi: Trilogy - Adagio, lirico
24 ÇÁ·¹Å丮¿ì½º: Å׸£½ºÇÁÄÚ·¹ Áß ¶ó º¼Å¸ ¤Ó Michael Praetorius: Three Dances from Terspichore - La Volta
25 ÆÄ°¡´Ï´Ï: ¼Ò³ªÅ¸ 25¹ø ¤Ó Niccolo Paganini: Sonata No.25
26 ÇÁ¶ûÅ©: ÀüÁÖ°î ¤Ó Cesar Franck: Prelude, Fugue et Variation, Op.18 - Prelude
27 Ä«º£Á¸: ±â»çÀÇ ³ë·¡ ¤Ó Antonio de Cabezon: Diferencias Sobre es 'canto ilano del caballero'
28 ºô¶ó ·Îº¸½º: ±âŸ ÇùÁÖ°î 2¾ÇÀå ¤Ó Heitor Villa-Lobos: Second movement from the Guitar Concerto
29 ·Ñ¶û µð¿ë: ¼Ò¸£¸¦ À§ÇÑ ÇåÁ¤°î ¤Ó Roland Dyens: a Fernando Sor
30 Á¦³ª¸ó: µ¥¹Ì¾È Áß ¶ó¸£°í ¤Ó Jaime Mirtenbaum Zenamon: Demian - Eva(Largo)
¡Úº¹ÀâÇÏ°í Èûµç ÇϷ縦 º¸³½ Çö´ëÀο¡°Ô ÇÊ¿äÇÑ À½¾Ç
°í¿äÇÔÀÌ °¡µæÇÑ ¸í»ó°îÀº ÇÇ·ÎÇÑ Á¤½ÅÀ» ¸¼°Ô ÇØÁÖ¸ç Çö´ëÀÎÀÇ °¢Á¾ ½ºÆ®·¹½º Çؼҿ¡ µµ¿òÀÌ µË´Ï´Ù.
»õ¼Ò¸®, ½Ã³Á¹° ¼Ò¸® µî ´Ù¾çÇÑ ÀÚ¿¬ÀÇ ¼Ò¸®¿Í Æí¾ÈÇÏ°í Á¶¿ëÇÑ ´À³¦ÀÇ ±âŸ ¼±À²À» ÅëÇØ ¸¶À½ÀÌ ÄèÀûÇÏ°í Â÷ºÐÇØÁö´Â ÃÖ°íÀÇ È޽İú ¸í»óÀû ±âºÐÀ» ´À³¥ ¼ö ÀÖ½À´Ï´Ù.
(guitar: dale kavanagh, amadeus guitar duo, barbara richter, dieter rumstig..)
02 ¼Ò¸£: À§¾È ¤Ó Fernando Sor: L'Encouragement, Op.34
03 ¾Ëº£´ÏÁî: ÄÚ¸£µµ¹Ù ¤Ó Isaac Albeniz: Cordoba
04 Ç: »þÄÜ´À ¤Ó Georg Friedrich Handel: Chaconne G major HV 435
05 ³ª¸£¹Ù¿¡Áî: ȲÁ¦ÀÇ ³ë·¡ ¤Ó Luys de Narvaez: Cancion del Emperador
06 ÁÙ¸®¾Æ´Ï: ½ºÆäÀÎdzÀÇ ¶óÆú¸®¾Æ¿¡ ÀÇÇÑ º¯ÁÖ ¤Ó Mauro Giuliani: Variation, Op.45 on Folia di Spagna
07 ¸¶·¼¶ó: µÎ´ëÀÇ ±âŸ¸¦ À§ÇÑ Á¶°î1¹ø ¤Ó Giovanni Battista Marella: Suite No.1 for two Guitars
08 ÆÄ°¡´Ï´Ï: ¼Ò³ªÅ¸ 32¹ø ¤Ó Niccolo Paganini: Sonata No.32
09 Á¦³ª¸ó: ¸®Ç÷º¼Ò½º 7¹ø Áß ¸ôÅä ·»Åä ¤Ó Jaime Mirtenbaum Zenamon: Reflexoes No.7 - Molto lento
10 ÇÁ·¹Å丮¿ì½º: Å׸£½ºÇÁÄÚ·¹ Áß ¹ß·¹°î ¤Ó Michael Praetorius: Three Dances from Terspichore - Ballet
11 ·Îµå¸®°í: ¾î´À ±ÍÀÎÀ» À§ÇÑ È¯»ó°î Áß ¾Æ´ÙÁö¿À ¤Ó Joaquin Rodrigo: Fantasie para un Gentilhombre - Adagio
12 ÁÙ¸®¾Æ´Ï: º¯ÁÖ°î ÀÛÇ°62 ¤Ó Mauro Giuliani: Variation, Op.62
13 ºñ¹ßµð: ÇùÁÖ°î dÀåÁ¶ Áß ¶ó¸£°í ¤Ó Antonio Lucio Vivaldi: Concerto D major, R93 - largo
14 °¥¸±·¹ÀÌ: µÎ´ëÀÇ ±âŸ¸¦ À§ÇÑ ¼±À²(´ëÀ§¹ý) ¤Ó Vincentio Galilei: Counterpoint for two Guitars
15 Æľß: ¿¡½ºÆijÄÀÇ ³ë·¡ ¤Ó Manuel de Falla: Populares espagnolas, Cancion
16 Ǫ¸£¸§ÀÌ Â£Àº ±íÀº »ê¼ÓÀÇ ÃÊ´ë - ÀÚ¿¬ÀÇ ¼Ò¸® ¥±
17 ·¹°ïµð: ±âŸ¸¦ À§ÇÑ ¾ß»ó°î ÀÛÇ°19 ¤Ó Giulio Regondi: Nocturne for guitar, Op.19
18 ºê¸®Æ°: ¾ß»ó°î Áß ¸ôÅä Æ®¶õÄþ·Î ¤Ó Benjamin Britten: Nocturnal Op.70 'after John Dowland - molto tranquillo
19 µµ¸Þ´ÏÄÚ´Ï: ¾Æ³ªÅ縮¾È ¹Î¿ä¿¡ ÀÇÇÑ º¯ÁÖ: Carlo Domeniconi: 'after an anatolian folk song' - Theme & Variation 1-5
20 ¹ÙÈå: ÀÌÅ»¸®¾Æ ÇùÁÖ°î Áß ¾È´ÜÅ× ¤Ó Johann Sebastian Bach: Italian Concerto F major, BWV 971 - Andante
21 ½ºÄ«¸¦¶óƼ: ¼Ò³ªÅ¸ b´ÜÁ¶ ¤Ó Domenico Scarlatti: Sonata in B minor, L.33
22 µð¾Æº§¸®: ¼Ò³ªÅ¸ a´ÜÁ¶ Áß ¾È´ÜÅ× ¼Ò½ºÅ×´©Åä ¤Ó Anton Diabelli: Sonata A minor - Andante sostenuto
23 µµ¸Þ´ÏÄÚ´Ï: Æ®¸±·ÎÁö Áß ¾Æ´ÙÁö¿À ¤Ó Carlo Domeniconi: Trilogy - Adagio, lirico
24 ÇÁ·¹Å丮¿ì½º: Å׸£½ºÇÁÄÚ·¹ Áß ¶ó º¼Å¸ ¤Ó Michael Praetorius: Three Dances from Terspichore - La Volta
25 ÆÄ°¡´Ï´Ï: ¼Ò³ªÅ¸ 25¹ø ¤Ó Niccolo Paganini: Sonata No.25
26 ÇÁ¶ûÅ©: ÀüÁÖ°î ¤Ó Cesar Franck: Prelude, Fugue et Variation, Op.18 - Prelude
27 Ä«º£Á¸: ±â»çÀÇ ³ë·¡ ¤Ó Antonio de Cabezon: Diferencias Sobre es 'canto ilano del caballero'
28 ºô¶ó ·Îº¸½º: ±âŸ ÇùÁÖ°î 2¾ÇÀå ¤Ó Heitor Villa-Lobos: Second movement from the Guitar Concerto
29 ·Ñ¶û µð¿ë: ¼Ò¸£¸¦ À§ÇÑ ÇåÁ¤°î ¤Ó Roland Dyens: a Fernando Sor
30 Á¦³ª¸ó: µ¥¹Ì¾È Áß ¶ó¸£°í ¤Ó Jaime Mirtenbaum Zenamon: Demian - Eva(Largo)
¡Úº¹ÀâÇÏ°í Èûµç ÇϷ縦 º¸³½ Çö´ëÀο¡°Ô ÇÊ¿äÇÑ À½¾Ç
°í¿äÇÔÀÌ °¡µæÇÑ ¸í»ó°îÀº ÇÇ·ÎÇÑ Á¤½ÅÀ» ¸¼°Ô ÇØÁÖ¸ç Çö´ëÀÎÀÇ °¢Á¾ ½ºÆ®·¹½º Çؼҿ¡ µµ¿òÀÌ µË´Ï´Ù.
»õ¼Ò¸®, ½Ã³Á¹° ¼Ò¸® µî ´Ù¾çÇÑ ÀÚ¿¬ÀÇ ¼Ò¸®¿Í Æí¾ÈÇÏ°í Á¶¿ëÇÑ ´À³¦ÀÇ ±âŸ ¼±À²À» ÅëÇØ ¸¶À½ÀÌ ÄèÀûÇÏ°í Â÷ºÐÇØÁö´Â ÃÖ°íÀÇ È޽İú ¸í»óÀû ±âºÐÀ» ´À³¥ ¼ö ÀÖ½À´Ï´Ù.
(guitar: dale kavanagh, amadeus guitar duo, barbara richter, dieter rumstig..)
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