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      Gradual & Psalmody (È­´ä¼Û°ú ½ÃÆíÀÇ ³ë·¡)

      È­´ä¼ÛÀº °¡Å縯±³È¸ÀÇ ¹Ì»ç¿¡¼­ ù ¹ø° µ¶¼­ ÈÄ¿¡ ºÎ¸£´Â Àü·Ê¼º°¡·Î¼­ ¸»¾¸ Àü·ÊÀÇ º»ÁúÀû ºÎºÐÀ» Â÷ÁöÇÏ´Â ¸Å¿ì Áß¿äÇÑ ³ë·¡ÀÌ´Ù. ÀÌ ³ë·¡´Â °¡»ç°¡ ÁÖ·Î ½ÃÆíPsalmÀ¸·Î ÀÌ·ç¾îÁ® Àֱ⠶§¹®¿¡ ¡®È­´ä½ÃÆí¡¯Responsorial PslamÀ̶ó°íµµ ºÒ¸®¸ç, ÀϹÝÀûÀ¸·Î ¡°ÈÄ·Å+½Ã±¸+ÈÄ·Å(¹Ýº¹)¡±À¸·Î ±¸¼ºµÇ´Â ´äâ Çü½ÄÀÇ À½¾ÇÀû ±¸Á¶¸¦ °®´Â´Ù. 
      ±×·¹°í¸®¿À ¼º°¡¿¡¼­ È­´ä¼ÛÀº ´Ù¸¥ ³ë·¡µé¿¡ ºñÇØ À½¾ÇÀûÀ¸·Î º¸´Ù ¼¼·ÃµÇ¸ç º¹ÀâÇÑ ÇüŸ¦ ¶ì°í Àִµ¥, 12¼¼±â°æ¿¡´Â Æĸ®ÀÇ ³ëÆ®¸£´ã ¼º´çÀ» Áß½ÉÀ¸·Î ´Ù¼ºÀ½¾ÇPolyphony ¾ç½ÄÀ¸·Î ÀÌ·ç¾îÁø È­´ä¼ÛÀÌ ½ÇÁ¦ Àü·Ê¿¡¼­ »ç¿ëµÇ±â ½ÃÀÛÇϸ鼭 ¼­¾ç À½¾ÇÀÇ ¹ßÀü»ç¿¡ Å« ¿µÇâÀ» ¹ÌÄ¡°Ô µÈ´Ù. ÇÏÁö¸¸ À½¾ÇÀû ¾ç½ÄÀÇ ¹ßÀü°ú´Â Á¤¹Ý´ë·Î, ÀÌ ³ë·¡°¡ ÇÏ´À´Ô ¸»¾¸¿¡ ´ëÇÑ °øµ¿Ã¼ÀÇ È­´ä ³ë·¡¶ó´Â º»·¡ÀÇ Àǹ̰¡ Å©°Ô À§ÃàµÇ¾î Àü·ÊÀû ±â´ÉÀ» Á¦´ë·Î ¼öÇàÇÏÁö ¸øÇÑ Ã¤ ¸¶Ä¡ ¼±Ã¢ÀÚ³ª ¼º°¡´ë¸¸ÀÌ ºÎ¸£´Â ³ë·¡·Î ¿À·§µ¿¾È À߸ø ÀÌÇصDZ⵵ ÇÏ¿´´Ù. Á¦2Â÷ ¹ÙƼĭ°øÀÇȸ´Â ÀÌ·¯ÇÑ ¹®Á¦¸¦ ÇØ°áÇÏ°í ±³È¸ÀÇ ¿À·£ ÀüÅë¿¡ µû¶ó ÀÌ ³ë·¡¸¦ º¹¿ø½ÃÅ°±â À§ÇØ Æ¯º°È÷ ȸÁßÀÌ °¡´ÉÇÑ Àû±ØÀûÀ¸·Î ÀÌ ³ë·¡¿¡ ÇÑ ¸òÀ» Â÷ÁöÇØ¾ß ÇÑ´Ù´Â Á¡À» °­Á¶ÇÏ°í ÀÖ´Ù. ÀÌ·¯ÇÑ °øÀÇȸÀÇ ¿ä±¸¿¡ µû¶ó ¸ð±¹¾î·Î µÈ È­´ä¼Û ³ë·¡µéÀÌ ´Ù¾çÇÑ ÇüÅ·ΠÀÛ°îµÇ°í ÀÖÀ¸¸ç ÀÌ À½¹Ý ¼Ó¿¡ ´ã±ä ³ë·¡µé ¾È¿¡´Â ÀÌ·¯ÇÑ °øÀÇȸÀÇ Á¤½ÅÀÌ Ã游ÇÏ°Ô ¹Ý¿µµÇ¾î ÀÖ´Ù.
      ÀÌ À½¹ÝÀÇ È­´ä¼Û ¾È¿¡¼­ ½ÃÆí º»¹® ºÎºÐ(½Ã±¸)Àº ½ÅÀÚµé°ú ÇÔ²² ºÎ¸£´Â ÈÄ·Å°ú À½¾ÇÀû ´ëºñ¸¦ ÀÌ·ç¸é¼­µµ Á¶È­·Ó°Ô ¿¬°áµÅÀÖ´Ù. ¶ÇÇÑ ½Ã±¸ ³ë·¡´Â ÀüÅëÀû ±³È¸ ¼±¹ý¿¡ ÀÇÇÑ ½ÃÆíâ¿¡¼­Ã³·³, ¿­ °¡Áö ±âº» ¾ç½ÄÀ¸·Î °íÁ¤½ÃÄױ⠶§¹®¿¡, ½Ã±¸¸¦ ³ë·¡ÇÏ´Â »ç¶÷ÀÌ °¡»ç¿¡ ÁýÁßÇϸç Àͼ÷ÇÑ ¹æ¹ýÀ¸·Î ½ÃÆíâPsalmodyÀ» ºÎ¸¦ ¼ö ÀÖ´Ù. ¶ÇÇÑ ½ÃÆíÀÌ È¸Áß¿¡°Ô °¨¼ºÀûÀ¸·Î ´Ù°¡°¥ ¼ö ÀÖµµ·Ï, ¸î °³¸¦ Á¦¿ÜÇÏ°í, 2¼ººÎ È­¼º ±¸Á¶·Î ½ÃÆíâÀ» ¸¸µé¾ú´Ù. ÀÌ À½¹Ý¿¡¼­´Â ÀÌ ºÎºÐÀ» µÎ ¸í ȤÀº °æ¿ì¿¡ µû¶ó ±× ÀÌ»óÀ¸·Î ±¸¼ºÇÑ ¼±Ã¢´ÜÀÌ µ¿¼º2ºÎ, ȤÀº È¥¼º2ºÎ µîÀÇ ´Ù¾çÇÑ Á¶ÇÕÀÇ ÇüÅ·Π³ë·¡ÇÑ´Ù. (ÀÌ ³ë·¡ÀÇ ¾Çº¸´Â ¡ºÈ­´ä¼Û°ú ½ÃÆíÀÇ ³ë·¡¡» ¾Çº¸Áý¿¡ ¸ðµÎ ½Ç·Á ÀÖ´Ù.)

      The Gradual is the song after the first reading in Catholic Mass and has a special importance among the songs of proper of the Mass. This song is normally called 'Responsorial Psalm' not only because its texts are mainly excerpted from Psalter but because its musical form shows a responsorial manner consisting of "antiphone+verse+antiphone¡¦¡°
      In Gregorian chant the Gradual has more elaborate and complicated musical feature than any other chant does. Furthermore around twelfth century, it would be performed even in polyphonic style with chant on the special feasts in the Cathedral of Notre Dame de Paris. As opposed to the development of the Gradual in the western music history, however, the liturgical funtion of this song to lead congregation to the conversation with God has been weakened for a long time. In order to restore the older liturgical tradition and promote the responsorial function of this song, Second Vatican Council emphasizes that congregation should participate in it more actively as fas as possible. According to this demand of Council, various kinds of new Responsorial Psalms are being produced, and the songs in this record are good example of this approach. 
      In these songs the composer has drawn the contrast between the refrains and the verses of the psalms in this record, yet tried to tie them together in harmony. Since the verses of the psalms are fixed in the ten basic forms, like the traditional modes, the palmist(s) can focus on the verses while singing psalms in a familiar way. On the other hand, The composer has tried to show a musical fines in chanting the verses which are tied with the refrains in harmony. In order for the psalms emotionally accessible to the congregation, The composer has composed songs of the psalms in two voice harmonies, except for a few. In this record, thus, these harmonies are sung by the scholae consisted of two or more, in some cases, cantores in various combinations such as two males or females, or a male and a female. (The sheets music of the psalms is bound together with a book; Gradual & Psalmody.)


      [Âü¿© ¾ÆƼ½ºÆ®]
      ÀÛ°î, °¨µ¶ | ¹Ú¿øÁÖ ½ÅºÎ Composer, dir. | Fr. Won-Joo, Park
      ÁöÈÖ | ±èÁÖ¿µ Cond. Joo-Young, Kim
      ¿À¸£°£ | Â÷ÇýÁ¤ Org. Hae-Jeong, Cha
      ¼ÒÇÁ¶ó³ë | ¸¶¹ÎÁ¤ Sop. Min-Young, Ma/ ¾ÈÀº¼ö Eun-Su, Ahn
      ¾ËÅä | ½Å¼ÛÀÌ Alt. Song-Yi, Shin
      Å×³Ê | ÀÓÀͼö Ten. Ik-Su, Lim/ ¼Û¿µ¹ü Young-Bum, Song
      º£À̽º | Á¤½Â¿¬ Bas. Seung-Yeon, Jung/ È«ÁÖ¿Ï Ju-Wan, Hong

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